Twin peaks season two soundtrack
Badalamenti’s pieces show up in jukeboxes that the characters use and in performances by local musicians at the town’s watering holes. Its tunes are so appealing, Lynch sometimes rips them from their status as commentary on the show’s action and places this music directly into the narrative world. Without his subtle, driving percussion, Badalamenti’s mixture of vintage pop and jazz sonics-at once familiar and plenty strange-might not have come off nearly so well.Ī great score doesn’t have to play well as an album on its own terms. In these performances, the composer’s keyboard is frequently the star, though jazz drummer Grady Tate’s rhythms are another consistent highlight. Some of the tracks serve multiple purposes, like “Audrey’s Dance,” which starts out as an accessory to chic sleuthing, then stretches out into a dreamy organ drone punctuated by blasts of saxophone and a lascivious clarinet. “Dance of the Dream Man” captures the finger-snapping swing of its surreality. The bluesy “Freshly Squeezed” defines the show’s approach to seduction. In addition to the two mood-setting triumphs that anchor the first season soundtrack to “Twin Peaks,” Badalamenti also came up with brilliant evocations of the show’s various dramatic modes.
For the first season of “Twin Peaks,” he wrote all the music, with Lynch providing lyrics to tunes sung by Julee Cruise. Badalamenti contributed original compositions to Lynch’s Blue Velvet and played piano during the performance of the titular pop song. But the potency of his soundtracks hit a new level after the director crossed paths with composer Angelo Badalamenti in the 1980s.
TWIN PEAKS SEASON TWO SOUNDTRACK SERIES
Series co-creator David Lynch has always displayed a musician’s facility for nimble, suggestive sound arrangements, going back to his first feature film, Eraserhead. Situated like the narrative itself between the two worlds pulling on the town of Twin Peaks, the music of the show is eternally with the characters-and the viewers. Or two characters locked in mutual grief may suddenly find something to laugh about. A pleasant moment may end with a startling musical suggestion of horror. As the show’s mix of humor and tragedy unfolds, these two compositions guide a viewer’s ability to perceive which mood is holding greater sway.